A female embezzler finds the Bates Motel, which has terrible secrets of its own. Even though this variant is still in color, includes a distinctive cast, and is set in 1998, it is closer to a shot-for-shot picture than many remakes, Gus Van Sant often copying Hitchcock's camera movements and editing, and Joseph Stefano's script is mostly taken over. The musical score of bernard Herrmann listed in stereo and will be reused as well with a new arrangement by Danny Elfman.